Fullscreen images of works in the exhibition SKIN TRADE
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Liu Bolin, Hiding in New York No. 7 - Made in China, 2012, photograph, 44 1/4 x 59 inches
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Nancy Burson, Mankind, 2003, color coupler print, 14 x 11 inches
2 of 31 -
Adele Crawford, Proof, 2008, digital print and cotton thread, four panels 24 x 24 inches each (detail)
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Nancy Davidson, Blue Moon, 1998, latex, fabric and rope, 96 x 60 x 60 inches
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Margie Geerlinks, Young Girl Knitting a Breast, 1999, Cibrachrome, Plexiglas, and dibond, Two panels, 67 x 50 inches each, edition 9 of 9
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Stephen Irwin, Untitled, 2010, altered vintage pornography, 20 x 15 inches framed
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Robert Mapplethorpe, Man in Polyester Suit, 1980, printed in 2003, gelatin silver print, 20 x 16 inches, edition of 15, 3 APs
7 of 31 -
Suzy Lake, Co-Ed Magazine #3, 1973, reprinted in 1998, selenium-toned gelatin silver print, 14 x 11 inches, edition of 10
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Ana Mendieta, Sweating Blood, 1973, super-8 color, silent film transferred to DVD, 2:41 minutes, edition of 6
9 of 31 -
Marilyn Minter, Wangechi Gold #4, 2009, c-print, 60 x 40 inches
10 of 31 -
Mummification Performance Skin #1 (Participant) 2011
plastic wrap and duct tape
61 x 23 inches
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Alison Saar, Dark Roots, 1999, wood, plaster, tar, rope and paint, 71 x 9 x 7 inches
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Bonnie Rychlak, Vanity, 2011, beeswax, metal frame, drains, and mirror, 20 x 16 x 8 inches
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Joan Semmel, Intimacy-Autonomy, 1974, oil on canvas, 50 x 98 inches
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America the Beautiful, 2013
8 framed c-prints
24 x 15 3/4 inches, each
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Dolores Zorreguieta, Joined by the head (from the series Monsters), 2004, polymer, clay, acrylic and foam, 2 1/2 x 8 1/2 x 2 3/4 inches
16 of 31 -
The Artist as her Future Self 2012
acrylic on canvas
24 x 24 inches
17 of 31 -
Barbara Zucker, Time Signature Series: Stella Painted Reflectively, 2003, steel and flip flop paint, 31 x 13 x 1 1/2 inches
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Beverly Mclver, Praise the Lord, 2003, oil and watercolor on paper, 30 x 42 inches
19 of 31 -
Heide Hatry, Heads and Tales Series, Jessica Hagendorn - Mimi, silver halide prints of image and short story texts, 30 x 40 inches (detail)
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Elana Katz, Color Me Clear, 2011, Abramovic Studio at Location One, NYC, performance duration: 6 hours, DVD, 7:37 minutes, edition of 10
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ORLAN, Omnipresence II, 1993, DVD, 44:22 minutes
22 of 31 -
COLORS Magazine, Reagan With Aids, June 1994, United Colors of Benetton, Printed mass-circulation color poster, 43 1/2 x 32 1/2 inches, framed
23 of 31 -
COLORS Magazine, Racial Facials, 1994, United Colors of Benetton, printed mass-circulation magazine pages, 21 x 31 inches, framed
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Kathy Grove, Outtakes, 2010-13, archival digital print, 33 x 22 1/4 inches
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Lynn Hershman Leeson, Roberta's Construction Chart #2, 1975, digital pigment print, 19 3/4 x 25 inches, framed
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Katy Martin, After Bada Shanren #2, 2008-13, archival digital print on rag paper, 60 x 36 inches
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Lorraine O'Grady, Sisters (from the Miscegenated Family), 1994, paired c-prints, 20 x 16 inches each (detail)
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Betty Tompkins, Sex Painting #3, 2013, acrylic on canvas, 36 x 36 inches
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Veruschka Lehndorff & Holger Trulzsch, Bricked-in Iron Beam. Left side of door; Barred Sliding Door to the Old Fish Market; Bricked-in Iron Beam. Right Side of Door, 1978, each 7 1/2 x 7 1/2 inches, catalog reproductions of 16 x 15 3/4 inch original dye transfer prints.
30 of 31 -
Jeanne Silverthorne Sweat Pore, 1998 urethane rubber 36 x 42 x 8 inches AP, edition of 3
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