Fullscreen images of works in the exhibition Noplace

  • Tripa Chuca 2, 2020
    Tripa Chuca 2, 2020
    painted tortilla and hand drawing on archival inkjet print
    framed
    30 x 20 inches
    12 of 12
  • Initial A and the Transformative Power of Symbolism in Storytelling, 2020
    Joel Dean
    Initial A and the Transformative Power of Symbolism in Storytelling, 2020
    oil on canvas over panel
    64 x 48 inches
    1 of 12
  • Initial B and the Transformative Power of Symbolism in Storytelling, 2020 oil on canvas over panel 64 x 48 ins.
    Joel Dean
    Initial B and the Transformative Power of Symbolism in Storytelling, 2020
    oil on canvas over panel
    64 x 48 inches
    2 of 12
  • Initial C and the Transformative Power of Symbolism in Storytelling, 2020 oil on canvas over panel 64 x 48 ins.
    Joel Dean
    Initial C and the Transformative Power of Symbolism in Storytelling, 2020
    oil on canvas over panel
    64 x 48 inches
    3 of 12
  • Every Day I Have the Blues (Untitled #3), 2020 acrylic and spray paint on polypropylene, steel chains 96 x 48 ins.
    Raque Ford
    Every Day I Have the Blues (Untitled #3), 2020
    acrylic and spray paint on polypropylene, steel chains
    96 x 48 inches
    4 of 12
  • Every Day I Have the Blues
    Raque Ford
    Every Day I Have the Blues, 2020
    acrylic and spray paint on polypropylene, steel chains
    dimensions variable
    5 of 12
  • Every Day I Have the Blues (Untitled #4), 2020
    Raque Ford
    Every Day I Have the Blues (Untitled #4), 2020
    acrylic and spray paint on polypropylene, steel chains
    96 x 48 inches
    6 of 12
  • That Hideous Strength, 2020
    Ficus Interfaith
    That Hideous Strength, 2020
    cementitous terrazzo, zinc, brass, walnut, various veneers
    30 3/4 x 48 inches (width, opened)
    7 of 12
  • American Emoji, 2019
    Ficus Interfaith
    American Emoji, 2019
    cementitous terrazzo, zinc, brass, walnut
    12 x 184 x 1 1/4 inches
    8 of 12
  • Water not under the moonlight, water at moon’s eve. Saw it from behind and now the cold front is unveiled, guiltily picked and exposed., 2020
    Devin N. Morris
    Water not under the moonlight, water at moon’s eve. Saw it from behind and now the cold front is unveiled, guiltily picked and exposed., 2020
    acrylic, painters tape, wall paper, plaster, wood veneer, wood moldings, house paint, oil pastel, pastel, collage, ink, door, vinyl, wool, daily vitamin, acidophilus, velvet, wood shutter, footboard on panel
    9 of 12
  • Tripa Chuca 1
    Tripa Chuca 1, 2020
    painted tortilla and hand drawing on archival inkjet print
    framed
    20 x 30 inches
    10 of 12
  • Disease Thrower #4, 2019
    Disease Thrower #4, 2019
    mixed media sculpture
    96 x 57 x 63 inches
    11 of 12
  • Tripa Chuca 2, 2020
    Tripa Chuca 2, 2020
    painted tortilla and hand drawing on archival inkjet print
    framed
    30 x 20 inches
    12 of 12
  • Initial A and the Transformative Power of Symbolism in Storytelling, 2020
    Joel Dean
    Initial A and the Transformative Power of Symbolism in Storytelling, 2020
    oil on canvas over panel
    64 x 48 inches
    1 of 12
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Information about the work

Joel Dean
Initial A and the Transformative Power of Symbolism in Storytelling, 2020
oil on canvas over panel
64 x 48 inches