Hunter Gatherer
Sep 6 - Oct 6, 2018
Press release for exhibition Hunter Gatherer
Julie Heffernan
Hunter Gatherer
September 6 – October 6, 2018
Opening Reception: September 6, 6-8 PM
Illustrated catalog available with an
essay by Maura Reilly.
P.P.O.W is pleased to announce Hunter
Gatherer, Julie Heffernan’s eighth solo exhibition with the gallery and
her first New York presentation in five years. With this exhibition, Heffernan
continues her practice of bringing the viewer directly into contact with her
interior world through a series of virtuosic self-portraits. For over three
decades, Heffernan’s career can be viewed as chronicling an individual life; her
early paintings describe youthfulness through ripe still lives and fecund
landscapes, while her later paintings suggest maturation through depictions of
accumulation and loss.
Compelled
by the excess of images our contemporary world has access to, Heffernan, in her
new series, examines the accumulation of culture in our mental landscapes and
the effect such images have on our collective unconscious. By unraveling our
cultural memory as it is captured in shared imagery, Heffernan reveals how
images ranging from Old Master paintings to advertisements, films stills, and
pornography tell stories that ultimately determine our society’s behavior and
define who we as social beings.
In Hunter
Gatherer Heffernan unmasks misogynistic power structures, offering a path
for reexamination and an opportunity to honor women who have been
misrepresented or excluded from this visual history. The exhibition will
feature a series of nude female self-portraits bearing scrolls that depict a
double-sided trove of fragmented images. One side depicts seemingly lush and
sensual moments from Old Master paintings; the other depicts journalistic and
cinematic accounts of historical atrocities. Images such as David’s
Napoleon Crossing the Alps and Luca Giordano’s
The Abduction of the Sabine Women are fused
with film stills from Stanley Kubrick’s Lolita and Russ Meyer’s Faster, Pussycat! Kill! Kill!. Once revered pictures are thus seen to anchor a continuum
of historical oppression, glorifying violence, discrimination, and rape.
Heffernan’s
nudes offer an alternative visual language. From the caryatids of ancient
Greece to the 19th century Beaux Artes
depictions of woman as Virtue, the
female figure has long been known as the bearer of history and tradition.
Heffernan’s female figures, however, are not passive receivers. In Self-Portrait
with the Daughters, which Heffernan describes as the "origin" piece for
the exhibition, she reveals the misogyny and brutality which define
our visual history. The nude stands
frontally, presenting a scroll as evidence of a long history of visual culture
canonizing corruption and abuse of power.
The Hunter
Gatherer series give
voices to women who have been silenced. Heffernan’s women stand in salon style
painting galleries evoking grand museums of the Western world. Behind them are
varying portraits of women who took on power structures such as Carolee
Schneemann, Rachel Carson, Anita Hill, Ana Mendieta, Jane Goodall, Julia
Butterfly Hill, Tarana Burke, and many more. Standing amidst all manner
of art supplies Heffernan suggests that in the future women will be the
creators of a more just visual lexicon.
Heffernan
(b. 1956, Illinois) received her BFA in Painting and Printmaking from the
University of California, Santa Cruz and her MFA from Yale School of Art (CT),
and has been exhibiting widely for the past two decades. Selected exhibitions
include those at The Korean Biennial (Korea), Weatherspoon Art Gallery (NC),
Tampa Museum of Art (FL), Knoxville Museum of Art (TN), Columbia Museum of Art
(SC), Milwaukee Art Museum (WI), The New Museum (NY), The Norton Museum (FL),
The American Academy of Arts and Letters (NY), Kohler Arts Center (WI), The
Palmer Museum of Art (PA), National Academy of Art (NY), McNay Art Museum (TX),
Herter Art Gallery (MA), Mint Museum (NC) and Virginia Museum of Fine Art (VA),
Oklahoma City Museum of Art (OK), Crocker Art Museum (CA), The Palo Alto Cultural
Center (CA), San Angelo Museum of Fine Arts (TX) among numerous others. Her
work has also been acquired by many of the institutions listed above. Heffernan
is a Professor of Fine Arts at Montclair State University.